CineStill 400

Where to begin on CineStill 400. This film is the film that outmatches every other stock regardless of having a point and shoot or a classic body. You’re an artist, and you have an etheric vision for your subject, this film is the one you want. The versatility you can have with this film goes beyond my experience and it’s the film I’ve personally shot the most with, on two of my best film cameras.

This film has a range that is ultimately unmatched in not only its versatility to light and setting, but it has a dreamy affect that makes it a standout in my book.

There truly isn’t a bad thing that I have to say about CineStill 400, with the exception of the cost of it. However, with the outcome of the shots received, arguably I would say it’s worth the dollar it is, because of the results.

The two cameras in question:

Nikon FE2 - 28mm 1 : 2.8/ 105mm 1 : 2.8 Mamiya/sekor 1000 DTL - 55mm 1 : 1 : 1.4